This post relates to Gilman’s Model: The Fotonovel.
ALAIN: Aha, the audience has been manipulated into complacent slumber, as is our hero Doctor Ward. But I have a few tricks up my sleeve. Yes. YES!
RYAN: I wasn’t really sleeping, that was just acting. Then we moved to the attic, and I pretended to wake up. When you put the two clips together, it looks like I magically moved!
ALAIN: The horror of Gilman, the excruciating pain of his unholy visage. What torments he has seen — what torments he has caused — they are all written on his drawn and pale face.
RYAN: Of course, in real life, you can’t really teleport. Mainly thanks to bus and airplane workers unions. And I usually wake up where I go to sleep.
ALAIN: This is the pay-off, what the audience came to see. Behold, Gilman! Gilman! Gilman! I told Makeup to go all out, and they all went out, so we had the idea to use a molded latex rubber prosthetic animatronic operated by a hideously deformed dwarf orangutan.
RYAN: I’d like to point out the set construction here. See the angles of the walls and stairs? I don’t think I could teleport through those, even with a magic ring.
ALAIN: The orangutan died under mysterious circumstances of which I will not speak, so we just got this guy hanging around on set to do it. He was originally cast as “surprised janitor”, but his scene got cut.
RYAN: I don’t remember this part.
ALAIN: We got Ryan to follow Gilman down the stairs by luring him with a juice box.
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